
Former primer minister Jacinda Ardern has put Whittaker’s Chocolate in the global spotlight following an interview on US TV.
Former primer minister Jacinda Ardern has put Whittaker’s Chocolate in the global spotlight following an interview on US TV.
Sky Sport is launching a new visual identity this weekend for all its locally produced sports broadcasts, putting greater emphasis on athletes and teams.
Media expert Antony Young rounds up media news from beyond Aotearoa – this week it’s the Super Bowl ads, Nielsen’s TV ratings shake up and No Buy 2025.
A new chapter of Shortland Street kicks off tonight, with the first episode streaming live on TikTok at the same time it airs on TVNZ 2 and TVNZ+.
Media access service provider Able is set to launch its first original commission Sight Unseen, a five-part documentary web series, on February 26.
Samsung TV Plus New Zealand’s advertising division, Samsung Ads, has increased the platform’s “bingeable” offering, bringing classic TV shows to Aotearoa.
Warner Bros. Discovery is taking New Zealand back in time with a new local comedy series n00b that shines a spotlight on the early 2000s in all its millennial glory.
Age Concern and ANZ is bringing back popular cop drama CHiPs in a new campaign by TBWA\NZ to encourage Kiwis to get on patrol for scams.
As Newshub leaves Kiwi screens forever tonight, Ant Farac, the creative force behind the original brand, looks back at his inspiration.
Brands have new ways to advertise to live sport audiences as Sky launches squeezeback ads during NRL and Super Rugby Pacific coverage.
How much do we really watch – or not watch – advertising?
You’re serving up ads but do people want to see them and are they paying attention? TVNZ’s latest Forecast Study examines the value exchange and how time and money are being traded to watch – or not watch – advertising. General manager of trade marketing Kathryn Mitchell talks us through the research and how broadcast TV came out on top.
Tech-obsessed Kym Niblock is most comfortable when she’s wading neck-deep in a pool of data. This, she says, is the best place where you can find out where you need to go next. And for TVNZ, this involves diving straight into augmented reality.
It’s 18 months since Bravo graced New Zealand’s screens, delivering a dose of reality TV to local audiences in the form of Real Housewives, Vanderpump Rules and Million Dollar Listings. We speak to Chris Taylor, managing director of networks and distribution for Australia and New Zealand, about how the channel is settling into the local media landscape and what it has planned for 2018.
Shortland Street is back, and while viewers are dealing with Chris Warner’s woes, TVNZ and Blacksand are lapping up the success of a colourful summer campaign.
Despite the ubiquitous nature of digital communications and millennials spreading their time across a range of screens, television remains a hugely valuable platform for delivering emotive content with the scale, impact and the effective frequency required to create meaningful business impact.
Toyota and Saatchi & Saatchi have taken a look at what can go wrong when two things are alike in a campaign to promote its genuine parts.
New Zealanders’ reluctance to talk about their finances is a challenge for banks looking to have meaningful conversations with would-be new customers, so Kiwibank decided to push the boundaries of marketing to get Kiwis to speak up.
TVNZ has released its FY2017 annual results, with a $19.5 million loss in EBITDAF on the previous year due to an onerous contract provision with Disney and marginal year on year declines in advertising revenue. We talk to chief executive Kevin Kenrick about outdated output deals and how TVNZ is placing bets on the future.
Everything that analysts predict will happen to Sky in the local market has already happened to its counterpart in London—and things are still going swimmingly across the pond. Sam Aldred questions whether local predictions of the impending demise of Sky are a little overstated.
We tested StopPress readers’ knowledge of modern media consumption. And the results indicate that things aren’t always as clear as what they seem.
Media consumption is changing. But by how much? Test your knowledge with the StopPress/Freeview TV quiz.
Receptive.tv director Sam Aldred reckons that the growing prominence of live video on social feeds will play an important role in defining the future of broadcast television (despite all the controversies concerning extreme footage).
It was a big year for TVNZ in 2016 after launching its much-vaunted rebrand late last year. Now there’s more cause to celebrate as it continues to dominate the TV rankings, with TVNZ 2’s Gloriavale: A Woman’s Place, topping the list for most-watched show amongst the 25-54 demographic.
Hunch founder Michael Goldthorpe peers into the boiling cauldron to find out what goes into making creative magic.
Our relationship with money is typically something of an afterthought, generally restricted to advice columns and finance pages. However, Kiwibank is taking it mainstream in a new series called Mind Over Money with Nigel Latta, a fully funded series centred on the psychology of money. We talk to general manager of marketing Regan Savage and TVNZ general manager of content solutions Lyndsey Francis about the series and Kiwibank’s decision to take a leap.
TV is apparently dead. And as corollary a magazine about TV should already have a strong onset of rigor mortis. However, in a great display of resilience in a fragmented media world, The TV Guide is holding strong as New Zealand’s number one selling magazine. We go back to the magazine’s beginning and talk to editor Julie Eley to see how it’s secured itself as the armchair companion to many New Zealanders.
In what could be considered “a PR gift”, Sky are celebrating their victory against the illegal live streaming of Joseph Parker’s last match in the ring just a day before his next bout in Auckland tomorrow.
Receptive.tv director Sam Aldred takes a look at the rise of global entities to find the battle between Sky TV and Fairfax, NZME and TVNZ is the wrong one.
We all like free things. However, the rise in SVODs has made audiences accustom to paying for entertainment. Stepping in to remind Kiwis that content doesn’t have to come at a cost is Freeview, with a ‘How good is free’ campaign by TVNZ Blacksand.