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Browsing: television

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Cop that: reality everywhere, ratings shifts and the Campbell Live effect
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Television has had quite the facelift over the past few years. Reality television has taken over the episodic drama, with its cheap production cost and malleable format, which viewers can easily tune into without any kind of backstory. What else is changing is our current affairs shows, the days of the solo renegade hosting style of John Campbell and Paul Holmes seems to be over as a softer format with multiple hosts is nudging its way in. With all these changes we thought we’d do a bit of an overview of the top shows on telly to see how they’re performing amongst this difficult and ever-changing media climate.

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The very strange future of broadcasting
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Channel Four in the UK has a fairly impressive in-house creative team, as evidenced by its magnificent Paralympics campaign from a few years back. And now, to launch its new ondemand platform All4, it’s peered 100 years into the future and predicted a same sex royal wedding, robotic horse racing and a series of mutant hosts.

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TVNZ invites viewers to join the legal defence team via ‘How to get away with murder’ game
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For those of you who have longed to put yourselves in the shoes of a criminal defence lawyer, now you can, in the digital world at least. TV2 has launched a new campaign in the form of an online game to promote its show How to Get Away with Murder, through the release of a murder mystery game that casts the player as part of a criminal defence team fighting to clear a client’s name.

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Prime’s losses are MediaWorks’ gains as Sky changes its free-to-air focus
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From March, Prime News, which airs on Sky-owned Prime, will be produced by the MediaWorks news division at their Auckland Flower Street Studios as part of a new deal between the two networks. And the deal comes with additional revenue potential for MediaWorks, because the network will also be selling advertising and sponsorship associated with the show. PLUS: Top Gear heads to TV3.

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The Block NZ builds on ratings success of previous seasons
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At Auckland Airport on Friday night, something slightly interesting—albeit not altogether unexpected—happened. The Kiwis enjoying a last-minute meal at the Bach Alehouse asked the waiting staff to turn up the volume of the television, not for a sporting or international news event, but for a reality TV show. Despite now being three seasons deep, Kiwis had clearly not tired of The Block NZ and they still wanted to see the action unfold during the finale, which saw Alex and Corban Walls walk away with $307,000. And the popularity of the show wasn’t limited to a holiday house-themed pub at the airport on Friday night.

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Agent Anna punks unsuspecting home viewers in hidden camera stunt via TVNZ Blacksand
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Following on from last year’s elaborate faux real estate campaign for Agent Anna’s first season, TVNZ’s in-house agency Blacksand has again tapped into the fake reality theme for the promotion of the dramedy’s second season. Shot in an actual rental home, the stunt features Robyn Malcolm in character as klutzy Anna Kingston showing real visitors—and potential tenants—around a home, which has been set up with a variety of booby traps that result in some awkward interactions.

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C4 to make way for The Edge TV—UPDATED
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MediaWorks announced yesterday that it would be extending its radio brand The Edge onto television by launching a new TV channel on the Freeview and Sky platforms later this year. Described by The Edge programme director Leon Wratt as “radio with pictures on steroids,” the Edge TV will feature Jay-Jay Feeney, Mike Puru, Dom Harvey, Guy Williams, Sharyn Casey, Clint Roberts and other presenters on a daily basis. Updated with comments from MediaWorks group comms manager Rachel Lorimer and MediaWorks radio group programme director Andrew Szusterman.

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Year in Review: Jeremy O’Brien
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With many joining the media diaspora and leaving the couch in favour of online entertainment options, it hasn’t been an easy year for television broadcasters. But instead of simply admitting defeat and watching the viewers head off into the distance, TVNZ’s head of sales and marketing Jeremy O’Brien led an innovative team that pinched popular shows, further developed on-demand streaming options and took quite a few risks. Here’s what O’Brien has to say about 2013.

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Horse’s Mouth: Andrew Shaw
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Andrew Shaw, general manager of acquisitions, production and commissioning at TVNZ, was his usual ebullient (and controversial) self during his speech at the TVNZ new season launch (“Last time I looked we were in show business. We’re the show. You’re the business”). We had a chat with him before the event about the importance of quality, the so-called Golden Age of TV and taking risks.

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TVNZ rings in its new year, talks up local/international combo and embraces multi-night screenings—UPDATED
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MediaWorks was pretty cocky at its new season launch a few weeks ago. And, not surprisingly, so was Television New Zealand, which unveiled its primetime plans for the year ahead at the Viaduct Events Centre tonight, talked up its local content/international output combo, revealed its big programme partnership with Purina and, in recognition of the success of shows like My Kitchen Rules and The Block NZ, announced a new focus on multi-night screening.

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MediaWorks puts receivership behind it, oozes confidence at new season launch—UPDATED
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Last night, in a big shed down on the docks of Auckland town, Jeremy Corbett and Hillary Barry helped launch MediaWorks new season line-up. And, with the return of most of its local shows, some big-rating new international numbers and a couple of new branded content initiatives, director of sales and marketing Liz Fraser is confident it can continue its solid run of form in 2013 next year.

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Why so serious? Sky and DDB ramp up the drama with cinematic, poetic brand ad
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Over the past few years, Sky has favoured the humorous approach in its ‘My Happy Place’ advertising. Its new ‘Come with us’ brand was rolled out around the start of August and, while a series of relevant movie quotes dotted around HQ certainly gave the brand a sense of whimsy, its big, cinematic and poetic TVC by DDB and Ruskin is a much more serious, intriguing and emotive affair that’s designed to showcase the range of quality content subscribers can access.

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Come with us: Sky’s new brand invites New Zealand on a journey, aims to change perceptions—UPDATED
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Since it was switched on around 23 years ago, Sky has grown into the country’s biggest media company, with almost half the country signed up to its services. For the past few years, its default brand statement has been ‘Your Happy Place’ and DDB’s comms around that idea have been top notch. But it’s started to roll out its new brand identity, which features the tagline ‘Come With Us’ and aims to bring the work of the broadcaster to the fore.

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Maori TV launches new look website
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At the heart of Maori Television’s redesigned website is its core mission to revitalise the use of Te Reo in New Zealand. With that in mind the new look site puts an emphasis on its dual-language options.

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From ground-licking to ear-dousing in the name of taste-testing L&P
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It might be our national fizzy drink but you’d probably be hard pressed to describe the flavour of L&P. And explaining what L&P tastes like is the central theme of four new TV spots launched in a new campaign by Saatchi & Saatchi, along with the Taste-a-liker – an app that encourages the brand’s 190,000 strong Facebook community to share their own thoughts on the flavour.

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TVNZ and NZ on Air breathe new life into NZ’s Got Talent
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As an array of talent shows fill our screens, the sound of wannabes is nigh-on inescapable. But whatever your opinion on the worth of such content, there’s no denying they’re popular. And TVNZ is planning to add to the melee with a multi-million dollar local production of NZ’s Got Talent that will screen on TV ONE. 

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Post-Qantas, Film and TV awards live happily ever AFTA
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They used to be called the Qantas Film and Television Awards, but after Qantas grounded all its flights (metaphorically speaking) last year for this and the Media Awards, the name of the screen industry’s night of nights has now been changed to the Aotearoa Film & Television Awards (AFTAs) and Aviso Design has created a new logo that ThinkTV chief executive Rick Friesen says better reflects the nature of the awards.

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The Great Deal Wars of 2011 heat up as GrabOne embraces television
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We’re accustomed to seeing marketing fluff from the seemingly never-ending range of new daily deal sites in our inboxes or on our web browsers. But, in what could be seen as evidence that group-buying has gone mainstream in New Zealand, GrabOne is facing up to increased competition and promoting its discounted wares with the help of a couple of new TVCs.

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Kiwis find solace in the box as TV viewing hits high
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It’s good news for broadcasters, couch sellers and pizza delivery folk, but it’s bad news for obesity campaigners: the latest research from newly established industry body ThinkTV has shown New Zealanders spent more time than ever watching television in 2010, with the average square-eyed Kiwi tuning in for three hours and 22 minutes every day, 20 percent more than in 2007.

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Telcos, energy and retail sectors fork out for more TV time
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The third quarter ad revenue results for the major television broadcasters were released not long ago and showed things were slowly moving back to the level of the glory days. At the time, we couldn’t get hold of New Zealand Television Broadcaster’s Council chief exec Rick Friesen, but he called back and, while he wasn’t able to discuss results of specific broadcasters, he was able to shed some light on a few interesting sectoral trends.

Not Rick Friesen

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1, 2, 3, 4, MediaWorks declares a demographics war
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MediaWorks TV launched its new season line-up in Wellington this morning. And the Auckland launch is scheduled for tomorrow. But there’s sure to be slightly more interest in some the programming decisions than there usually is after it announced today that its two major channels are set for a rejig, with C4 being re-launched as a mainstream entertainment channel known as FOUR and TV3 moving directly into TV One’s demographic territory.