It’s been a good couple of days for Colenso: it’s well and truly leading the pack with its EFFIE shortlistings and now BBDO has been named the YoungGuns Network of the Decade by YoungGuns International on account of the vast array of metal the network has won since the awards were founded ten years ago. Read more »
With a record haul of Lions under his (and his company’s) belt after this year’s Cannes accolades were dished out, Colenso BBDO executive creative director, handyman of the land and Titanium and Integrated Lions juror Nick Worthington is sitting pretty. And in this clip, he’s also sitting with Our Maan in Cannes in a loud French restaurant. Read more »
All the Lions have been delivered at Cannes and Colenso BBDO has easily topped the Kiwi agency list, bringing home a record haul of ten leonine friends (three Gold, four Silver and three Bronze), out of a total of 25 for Kiwi agencies. Read more »
If they haven’t been washed away by the flash floods, six lucky New Zealand bastards are currently swanning about in the South of France. Of course, business is being mixed with pleasure: they are there in a professional capacity as judges for the Cannes Advertising Festival awards, which, as the world’s biggest and best advertising event, invites the world’s biggest and best advertising brains along to do the deciding. So here’s to them. Read more »
Colenso BBDO and AIM Proximity took home New Zealand’s only Yellow Pencil in the branding category for the Yellow Treehouse campaign at last night’s D&AD awards in London. And it’s in fairly elite company: it was one of only 42 Yellow Pencils and five Black Pencils handed out by the judges. Read more »
Six of the country’s largest, most impressive creative brains will join a host of other large, impressive international creative brains as jury members for the 2010 Cannes Lions International Advertising Festival. Read more »
The creative excellence of Colenso BBDO and DDB New Zealand has been acknowledged once again by BestadsonTV.com, with the advertising website’s 2009 rankings putting the two Kiwi agencies at the top of the international pile. Read more »
The official release has been sent and no-one’s particularly surprised with its content: Clemenger Group has appointed Nick Garrett as managing director of Colenso BBDO, beginning 1 March 2010. Read more »
As we all know, ’tis been a season of flux and upheaval in adland. And the Colenso stable will have a distinctly different look to it in the new year. Read more »
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Who’s it for: Rexona by Generator United and Curious.
Why we like it: Depending on your viewpoint, the last Rexona spot that aired around the Rugby World Cup was either overwrought and overly earnest or powerful and beautifully shot. The follow up is fairly earnest as well, but Darryl Ward’s made it look purty in black and white and the slightly more casual approach works for us.
Who’s it for: Telecom by Saatchi & Saatchi and Prodigy
Why we like it: A simple idea, well executed—and there’s even a dose of sexy vampire-related humour. Extra points for the lead character’s rapid line spitting and the numerous attempts it probably took to get it right.
Who’s it for: National Bank by DraftFCB and Robber’s Dog
Why we like it: There’s a rich heritage of city slicker agencies claiming to know how to talk to the rural audience. But DraftFCB nailed it with this one (which we completely missed when it was launched ages ago as part of the ‘For the Places You’ll Go’ campaign).
Mio changes everything, apparently.
VW tugs on the heartstrings.
Samsung’s take on the spinning ball of death.
Intel’s big budget Ultrabook campaign takes us to the movies.
The invisible Mercedes.
Google’s Story of the Send.
Amnesty International’s graphic new ad shows that money can hide terrible things (depending on your workplace’s severed head policy, possibly NSFW).
Two-and-a-bit minutes of beautiful outdoorsiness for Decathlon’s in-house brand Quechua.
Cute kids review Skrillex.
Pumpers gotta pump, Quiky gets violated, Yahoo’s digital struggles explained, Skechers gets a smack, the QR code that requires beer and how did General Aladeen convince John Key to hold a machine gun in Cannes?
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