Last year Alt Group sent out chocolate keyboards as Christmas gifts for its clients. Pffff, chocolate keyboards, Whittaker’s probably said, because at the time it was in the middle of a lengthy mission to create the world’s first ‘chocolate website’. Read more »
It was a time when Vanilla Ice was cool, Windows 3.0 was released and Tim Berners-Lee came up with a little thing called HTML. But 1990 also saw the birth of a company in Wellington called BNA design. Fast forward through an impressive client list that has included the likes of Telecom, Solid Energy, Formway, National Bank, NZTE and Yellow Pages, add in a rather scientific name change, and you get to the auspicious milestone of design agency DNA’s 21st birthday. To mark the occasion, DNA showed this video to clients and staff at its recent 21st parties in Auckland and Wellington. And having partied with the DNA folks at the Auckland bash, we felt the rest of you might want to have a gander at the entertaining documentation of the DNA story as well. Read more »
New Zealand’s territorial waters are 15 times larger than our land mass, but just 0.3 percent of that area is fully protected in marine reserves, compared to around 20 percent of our land with equivalent status. And as part of a campaign to change this unbalanced attitude and eventually get 30 percent of our waters signed up as marine reserves, the WWF and its agency partner Ocean Design have enlisted some of the country’s leading creative minds to share their views on what New Zealand’s seas mean to them. And it’s asking Kiwis to do the same. Read more »
We have to mobilise the New Zealand design community around the relief and rebuild efforts in Christchurch. This means we have to coordinate our own meaningful industry response. We have an important role to play in assisting both now and throughout the rebuilding of a shattered city. And I think this can work at two levels. Read more »
Creative Review magazine called David Carson “the most famous graphic designer on the planet” and “art director of the era”; his first book The End of Print, is the top selling graphic design book of all time, selling over 200,000 copies; and he and his work have been featured in over 180 magazine and newspaper articles around the world, including a feature in Newsweek magazine and a front page article in the New York Times. Well, Kiwi design lovers rejoice, for you will be able to bask in his reflected glow when he conducts seminars Auckland and Wellington in February. Read more »
Earlier this year at Semi Permanent, Dick Frizzell gave Design Daily a taster of what he had planned by way of designs for the 2011 Rugby World Cup. And now the seven designs that will adorn the tournament’s official apparel have finally been unveiled. Read more »
I’m always reluctant to get into discussions about logos because I don’t think I’m overly qualified to talk about them (and because everyone else thinks they are overly qualified to talk about them). Generally, those that bleat the most about logos are those that know the least about marketing; the ones who think branding is a sticker you put on an apple before you export it to Japan. But I feel the need to make a wee exception. Read more »
The 2010 AWARD awards have drawn over two thousand entries across the nine major categories, including the newly created music video, applications, social media, environmental design and branded content. And the organisation responsible for dishing out what are deemed to be Australasia’s most prestigious creative awards (and also for creating the call for entries juggernaut known as Ian), is opening up a number of wildcard position on its juries. So, any Kiwis with an interest in the creative arts—whether they be agency folk or plumbers—can apply to be part of the action. Read more »
The Best Design Awards are recognised as the leading celebration of excellence in the design industry. And as the official awards of the New Zealand Designers’ Institute, it holds significant gravitas as an indicator of the current role that design is playing in the wider marketing landscape. Read more »
As draconian media overlord and Rhys Darby lookalike Vincent Heeringa opined soon after the recent New Zealand International Business awards were handed out this week, the creative economy used to be something that cute, boutique Kiwi businesses talked about. Now, however, design and intellectual property have become an integral aspect of the really big New Zealand exporters as well and they were the two elements that bound many of the winners—and particularly the supreme award-winning Pumpkin Patch—together. Read more »
Win a trip to the ultimate crack Continue reading »
Write sweet nothings on billboard, win bling Continue reading »
SodaStream fights the plastic with The Cage project Continue reading »Advertisement
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Who’s it for: Meridian by Assignment Group and Perendale
Why we like it: Wells works very well as a quirky Meridian mascot and manages to spread its renewable gospel in a non-preachy, sensible and entertaining way. Plus, it shows off some of the best bits of New Zealand and there’s a pretty good story behind the ad too.
Who’s it for: NZ Book Council by Colenso BBDO and Octane Digital
Why we like it: Much like the previous powerful effort for NZ Book Council, Going West, the time-consuming paper artistry on display for the follow up well and truly captures the attention and shows how books can shape lives.
Who’s it for: Shapes Roadies by Y&R Auckland and Finch
Why we like it: Many New Zealanders didn’t take too kindly to the glut of manvertising that was foisted upon us last year. But, judging by the response to the absurd and very entertaining campaign for Roadies, they seem to like manchildvertising. Some bravura performances in the backseat on display here.
The two winners of the Doritos Crash the Superbowl competition (both creators got a million dollar bonus, apparently).
Surely the best ad ever made for a tattoo parlour (and check out how life imitates art at the end).
All this year’s Superbowl ads in two minutes.
Ghost Steve Jobs will come back to haunt you, Action Electronics.
It’s not particularly Woopy, but this is a cool idea for a modern business. Art goes digital—and social.
How cereal boxes have changed over time, Mad Men posters greatly improved, The Herald on Sunday tows the cow, sheep are inheriting Middle Earth, Hipster Hitler, Rickrolling in a report on a field trip, all you need to be an evil overlord, and this is definitely not a set-up for a movie.
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