Hey, creative types, it’s the last week to enter the Axis awards. And, to ramp up the excitement (and patriotism), the Axis gang, with new convenor of judges Tony Bradbourne at the helm, has released the results of an extremely scientifically robust study that shows New Zealand is the most creative country in the world. Read more »
I love Double Rainbow and any mention of the epic YouTube clip makes me super happy and walk around all day saying ‘all the waaaay’ and ‘what does it meaaaan?’ So it was with mixed and curious feelings that I sat back and watched the reaction to the new Vodafone ‘Double’ TVCs from some of my über YouTube community friends. Read more »
The indies weren’t just nipping at the heels of the big boys last year, they were occasionally biting off their legs. And, with many clients recognising that the big shops don’t have a monopoly on creativity or international quality work, a number of sizable accounts ended up in unexpected hands. Friday O’Flaherty, one of the all-powerful leaders of Running With Scissors, wields his mighty pen on 2010. Read more »
Following the events of the past few years, most media have been busy licking their wounds—and, in many cases, focusing on survival rather than growth. But, after consistently good revenue results and signs that there is more growth to come, the Kiwi digital sector has developed quite the swagger. Liz Fraser, the chair of the Interactive Advertising Bureau of New Zealand and head of MSN NZ, opines. Read more »
Perceptive has made more than a few waves in the marketing and research biz since it was established in 2004, having taken 24th place on the 2009 Deloitte Fast 50 list and signing up over 90 clients in New Zealand, Australia and Hong Kong. Here’s what Chris Pescott, the founder, big cheese and 2009 Ernst & Young Entrepreneur of the Year finalist, thought about 2010. Read more »
It’s been fairly tough going for the out-of-homers over the past few years. But, with the numbers now going in the right direction, the Rugby World Cup expected to up demand substantially and OMANZ starting to regain its teeth, there seems to be a bit of optimism—and even industry cohesion—afoot. Adshel’s new sales director Nick Vile, who took over from Pauline Hanton late last year, speaks his piece. Read more »
It was heads down, bums up for M&C Saatchi last year. And the hard work obviously paid off, because the agency picked up nine new pieces of business, including Jetstar, NZTE and the new NZ Post-run directories service Localist. Darryn Melrose, who took over from Nick Baylis as chief executive in late 2009, puts in his $0.02 on 2010. Read more »
Naked Communications is a force to be reckoned with overseas, but it’s only been on the local scene since late 2009. In that short time, it’s certainly had a big impact, taking a fair swag of strategy and channel planning work off some of its larger competitors and winning a couple of media award golds for its work with Diet Coke. Matt O’Sullivan, who left his posting at Carat to set up the Auckland office with Simon Bird, is one man who’s never short of opinions. So here are a few on 2010. Read more »
Yeah, yeah, we know it’s 2011, but due to moderately popular demand (and also due to the fact that we’re running at about 34 percent brain functionality at present and good old reliable Q+A’s are a good way for everyone to ease back in), we’ve decided to post a few more year in reviews from esteemed industry opinionistos/opinionistas that we didn’t have space/time to run last year. First up, Nick Garrett, the man who took the reins from Colenso BBDO’s outgoing managing director Brent Smart and, after winning a host of big awards, snaffling some big new business and doing a fine impersonation of Mini Me at the Colenso Christmas party in his first year, can’t have too much to complain about. Here’s what tickled his fancy last year. Read more »
Advertising is famously populated with characters. The cliche is that of the ruthless, dashing fellow characterised by Don Draper in the TV show Mad Men. There are the Machiavellian, the tortured and insecure, the banal and phantasmagoric; the attention seekers and poseurs. And then there are folk like Roger Dickinson, who died over the holidays. Read more »
Show punmanship, win beer Continue reading »Advertisement
Advertisement
Brought to you by
Who’s it for: Rexona by Generator United and Curious.
Why we like it: Depending on your viewpoint, the last Rexona spot that aired around the Rugby World Cup was either overwrought and overly earnest or powerful and beautifully shot. The follow up is fairly earnest as well, but Darryl Ward’s made it look purty in black and white and the slightly more casual approach works for us.
Who’s it for: Telecom by Saatchi & Saatchi and Prodigy
Why we like it: A simple idea, well executed—and there’s even a dose of sexy vampire-related humour. Extra points for the lead character’s rapid line spitting and the numerous attempts it probably took to get it right.
Who’s it for: National Bank by DraftFCB and Robber’s Dog
Why we like it: There’s a rich heritage of city slicker agencies claiming to know how to talk to the rural audience. But DraftFCB nailed it with this one (which we completely missed when it was launched ages ago as part of the ‘For the Places You’ll Go’ campaign).
Mio changes everything, apparently.
VW tugs on the heartstrings.
Samsung’s take on the spinning ball of death.
Intel’s big budget Ultrabook campaign takes us to the movies.
The invisible Mercedes.
Google’s Story of the Send.
Amnesty International’s graphic new ad shows that money can hide terrible things (depending on your workplace’s severed head policy, possibly NSFW).
Two-and-a-bit minutes of beautiful outdoorsiness for Decathlon’s in-house brand Quechua.
Cute kids review Skrillex.
Pumpers gotta pump, Quiky gets violated, Yahoo’s digital struggles explained, Skechers gets a smack, the QR code that requires beer and how did General Aladeen convince John Key to hold a machine gun in Cannes?
List of important industry bodies
Delivered free to your inbox twice a week
Honouring the ads—and the agencies responsible for them—that make the biggest impact on consumers and get more bang for the client’s buck
Honouring the ads and the people responsible for producing the best ads published in New Zealand Magazines
Use the Tangible Media network of magazines, blogs, newsletters, video and content creation services to reach the new New Zealand.
